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Therefore, the killings take place not in Lake of the Ozarks or the Levittown suburbs, but at fictional Camp Crystal Lake and Haddonfield, IL. Looking for a good slasher movie Good news, we already did the work to find and organize all of them for you, were talking everything from Friday the 13th to Halloween to A Nightmare on Elm Street, if its a slasher its here. None of the locations are real places but rather "positioned in a middle-class American setting, one that fosters the greatest degree of 'likeness' to the members of the film-viewing audience, or at least, to their mythical ideal." 7 Vera Dika, Games of Terror: Halloween, Friday the 13th, and the Films of the Stalker Cycle Rutherford: Associated University Presses, 1990), 58-59. A gore-by-the-bucketload horror genre all of its own, as a slasher flick progresses and the body count increases, only the audience knows. Scholar Vera Dika noted the need for the setting to be relatable to the target audience in an effort to maximize believability and terror. Horror movies never get old, especially slasher flicks. 6 Carol Clover, Men, Women, and Chainsaws: Gender in the Modern Horror Film (Princeton: Princeton University Press, 1992), 30-31. Featuring an all-female principle cast, this feminist reimagining of Roger Corman’s 1982 cult-classic is smashing the glass ceiling. The hospital in Halloween II, mostly abandoned because of Halloween festivities (and the prior murders of the staff), becomes anything but a helpful infirmary. Lightbulb Film Distribution are delighted to share the poster and trailer for new horror feature, Slumber Party Massacre. Clover discussed the decaying manor home of Texas Chainsaw Massacre where unsuspecting kids approached for help in securing gas for their car. To summarize, sex and violence have become an integral part of the slasher film genre. Clover denotes the setting of the slasher's climax as a "terrible place," usually a location thought of as a place a refuge that becomes severely compromised. Slasher movies have played to our curiosity and our desire for years, teasing us with pretty girl-next-door figures, femme fatales, and body count fodder that have become a staple for the genre. In fact, the best horror films usually run a gamut of emotions. They can make you laugh (like Evil Dead 2), or be action-packed, like Aliens. It's their whole modus operandi - but that doesn't mean a horror film can stop there. 5 Adam Rockoff, Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986 (Jefferson: McFarland & Company, 2001), 10-11. Horror movies are, generally speaking, just meant to frighten you. Rockoff reasoned that these locations share an association with adolescence, relatable to the target audience of the slasher film especially after they prove extremely popular and profitable for studios around 1980. The film opens with a bang as it depicts a family death due to a tragic boating accident. Sleepaway Camp (1983) While Sleepaway Camp may not be many movie-goers’ first choice for the killer in the camp film, it does provide a few new and interesting tricks to shake up the slasher movie formula.
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The settings of the slasher films are diverse-rural towns, suburbia, summer camps, train cars, a school, and even, as the case in A Nightmare on Elm Street, dreams (or perhaps more accurately, nightmares). Here is a list of 15 great cult slasher films: 1.